Oakland-based artist Sadie Barnette makes work that is born from her family history — a narrative that is both intensely personal and speaks to a legacy of resistance and opposing societal conditions of racism. Her father, Rodney Barnette, is the subject of much of her work. He was an activist, a member of the Black Panther Party, and later the proprietor of the first Black-owned gay bar in San Francisco. Sadie Barnette’s artworks recontextualize and reimagine these histories, working hundreds of pages of FBI reports into liberatory acts and fantastical objects.
For the Fall 2021 Exhibition, co-curators Iker Gil and Mimi Zeiger have invited exhibition participants to create site-specific, future-oriented installations, which will be developed over the coming year in response to the theme: New Middles:From Main Street to Megalopolis, What is the Future of the Middle City?
This 2020–2021 cycle of programming explores the future of the center of the United States and the regions connected by the Mississippi Watershed. New Middles speculates on the heartland, an ecology stretching beyond political borders—from North to South—from the Canadian Border to the Gulf, and from East to West—from Appalachia to the plains. Embracing a long timeline of cities past, present, and future, New Middles builds upon Columbus’ legacy as a laboratory for design as civic investment. In a moment when we most need reflection, creativity, and innovation to envision new ways of being, New Middlesconsiders Columbus a place to destabilize assumptions, and imagine new architectures and landscapes as a way to positively move our cities forward.
MAK Center for Art and Architecture at the Schindler House: October 12, 2019 – February 16, 2020
Curator: Mimi Zeiger
Participants: AGENdA agencia de arquitectura, Tanya Aguiñiga, Pedro Ignacio Alonso and Hugo Palmarola, Laurel Consuelo Broughton—WELCOMEPROJECTS, Design, Bitches, Sonja Gerdes, Bettina Hubby, Alice Lang, Leong Leong, Jorge Otero-Pailos, Anna Puigjaner—MAIO, Bryony Roberts
Graphic design: still room studio
Photography: Taiyo Watanabe
Catalog photography: Ian Markell
Exhibition design: Andrea Dietz
Exhibition fabrication/installation: Lauren Gideonse
Coordination and installation: Bedros Yeretzian
Tension bar design: alm project Read More …
US Pavilion, Venice Architecture Biennale: May 26–November 25, 2018
Wrightwood, Chicago: February 28–April 27, 2019
Curators: Niall Atkinson, Ann Lui, Mimi Zeiger, and Iker Gil
Commissioners: University of Chicago and School of the Art Institute Chicago
Participants: Amanda Williams + Andres L. Hernandez in collaboration with Shani Crowe, Studio Gang, SCAPE, Estudio Teddy Cruz + Fonna Forman, Diller Scofidio + Renfro, Laura Kurgan, Robert Gerard Pietrusko, with the Columbia Center for Spatial Research, Keller Easterling with MANY, and Design Earth
Films: Frances Bodomo, Mandana Moghaddam, David Rueter and Marissa Lee Benedict, Mika Rottenberg, and Liam Young
Exhibition and graphic design: INFO_CO
Photos: Tom Harris Read More …
Artists and writers: Frida Escobedo, Aris Janigian, Pedro&Juana, Tezontle, Katya Tylevich, and David Ulin
Neutra VDL Studio and Residences, Los Angeles with Los Angeles Forum for Architecture and Urban Design and Archivo Diseño y Arquitectura.
Tu casa es mi casa features site-specific installations by three Mexico City–based design teams—Frida Escobedo, Pedro&Juana, and Tezontle, and three California-based writers—Aris Janigian, Katya Tylevich, and David Ulin.
If our contemporary political moment offers up a border wall as the primary architectural expression of connection between the U.S. and Mexico, Tu casa es mi casa suggests a more porous boundary between the two countries. The title, a riff on the welcoming “my house is your house,” offers the inverted “your house is my house”—an expression of the personal and political stakes of this transposition.
MDP Design Dialogues Symposium + Exhibition with Tim Durfee, Ben Hooker, and Mimi Zeiger
November 17–26, 2016
November 17, 2016, 6:30–9 pm
SYMPOSIUM + OPENING RECEPTION
The Algorithm in the Room: An Evening of the Post-Geographic brings together an interdisciplinary group of designers and thinkers to discuss relationships between algorithmic and spatial practices. The algorithm in the room is the unspoken technological subject that reorients our understanding of design outcomes, ethics/politics, and authorship. Yet to concretize the algorithm, to try to peg down its functional uses within design is to misunderstand its potentially slippery (and productive) role as a bad collaborator. Feral and unpredictable, it provokes human, systemic, and urbanistic response. Via conversations and through digital, video, and screen-based works, this symposium and exhibition looks to raise difficult questions regarding the politics of predictive/automatized software, its architectural and urban impacts, and the aftereffects of recalibrated design agency. Speakers include: Jeff Maki, urban strategist and Joanne McNeil, writer. Videos exhibited by John Szot Studio, Tim Durfee + Ben Hooker, Jenny Rodenhouse.
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Letters to the Mayor: Lisbon presents a collection of letters written by architects to Fernando Medina, bringing pressing issues and new ideas to the desk of Lisbon’s newly elected mayor.
Letters to the Mayor: Lisbon takes place as part of the Lisbon Architecture Triennale (4e), and is the 12th edition of Letters to the Mayor, a project initiated by Storefront for Art and Architecture in 2014.
This project invites architects to write letters to their mayors, initiating a dialogue between those who represent a city and those that build it. International iterations, organized in partnership with local institutions and individuals, bring the project to cities and towns across the globe. Each of the iterations share three common elements: an exhibition of letters addressed to the mayor, a Mayoral Desk and Architect’s Table, and a wallpaper that reflects ideas and issues unique to each city. The desk and table, as well as the wallpaper, are designed by local architects, artists, and designers, and reflect upon the role of the architect in the construction of the future of the contemporary city.
Letters to the Mayor: Lisbon is curated by Ivo Poças Martins. Read More …
Art Center College of Design / Media Design Practices
Curators: Tim Durfee and Mimi Zeiger
Winner of UABB Bronze Dragon award.
Now, There: Scenes from the Post-Geographic City unpacks the practices, rituals, and epistemologies that traditionally delimit the understanding of the city in terms of geographic, material, and economic parameters. Now, more than ever, urban and digital realms are inextricably linked. This exhibition presents a selection of screen-based works, objects, and texts that develop, explore, and visualize a city that is not tied to any physical locality. Now, There, however, understands this resulting networked city a place in its own right, albeit one shaped by experiences contingent on media and devices, flows of data, and the demands of global technology. As such, it too is open to a retroactive assessment of what is now and where is there.
Mimi Zeiger and Neil Donnelly with the School of Visual Arts Summer Design Writing and Research Intensive
Architecture is a perpetual conversation between the present and the past, knowing full well that the future is listening. So what happens when this dialogue is influenced by contemporary modes of communication such as texting, Twitter, and Instagram? Chatter happens: ideas are developed, produced, and presented as open-ended or fragmented conversations and cohere through the aggregation of materials. Chatter: Architecture Talks Back looks at the diverse contemporary methods and approaches wielded by five emerging architects: Bureau Spectacular, Erin Besler, Fake Industries Architectural Agonism, Formlessfinder, and John Szot Studio. Read More …