Mimi Zeiger

Critic, editor, curator and instigator.

Spoiler alert! The Japanese maple in Jeff Dauber’s San Francisco backyard is not at the center of a carbon-sucking vortex. Sorry, sci-fi fans, but the Berkeley-based architect Thom Faulders’s perfectly flat deck only looks like its far corner has its own warped gravity. Ever since Francesco Borromini’s Gallery Spada, in Rome, forced perspectives and architectural patronage have gone hand in hand, but whereas the Renaissance architect employed a mathematician to make that arcade seem longer through foreshortening, Faulders used 3-D–modeling software to achieve Deformscape’s dipping effect. Read More …