Mimi Zeiger

Critic, editor, curator and instigator.

Tu casa es mi casa brings together two modernist houses in Los Angeles and Mexico City via the exchange of narrative texts, industrial objects, and installations by contemporary architects/artists, as the exhibition grapples with questions about architectural space, mass production, and domesticity within the legacy of modernism. Orchestrated to foster exchange, the exhibition asks three LA-based authors to write a narrative piece about the Neutra VDL House in the form of a letter to a Mexican artist/architect, who will respond with a site-specific installation at the Neutra VDL House, using work from the Archivo collection in Mexico City. Tu casa es mi casafurther upends the historic relationship of production and consumption between Mexico and the United States, in which maquiladora workers labor on mass-produced objects intended for standardized domestic settings in the United States. Instead, Los Angeles writers and Mexican artists/architects become the agents of their own cultural export.

Curators: Mario Ballesteros, Andrea Dietz, Sarah Lorenzen, and Mimi Zeiger
Artists and writers: Frida Escobedo, Aris Janigian, Pedro&Juana, Tezontle, Katya Tylevich, and David Ulin

Neutra VDL Studio and Residences, Los Angeles with Los Angeles Forum for Architecture and Urban Design and Archivo Diseño y Arquitectura.

Sep 17, 2017 to Mar 17, 201
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Let’s get this bit out of the way: Mexico City is dense, Mexico City is colourful, and Mexico City is a place of contrasts. That is to say, in a haze of pollution you can eat tapas on the roof of a boutique hotel designed by Enrique Norton – or scoff down quesadillas on the street, sheltered by a tarp hung between a fence and a lamp post. The city’s famous outdoor markets sell local crafts and produce alongside imported Chinese sundries. Icons of Mexican modernism are tangled in an urban fabric dating back centuries. For a number of young architects, designers, and curators practicing in its colonias (neighbourhoods), Mexico City is more than clichéd observation; it’s an opportunity to refashion the narrative. Read More …