Mimi Zeiger

Critic, editor, curator and instigator.

MDP Design Dialogues Symposium + Exhibition with Tim Durfee, Ben Hooker, and Mimi Zeiger
November 17–26, 2016
November 17, 2016, 6:30–9 pm
SYMPOSIUM + OPENING RECEPTION

The Algorithm in the Room: An Evening of the Post-Geographic brings together an interdisciplinary group of designers and thinkers to discuss relationships between algorithmic and spatial practices. The algorithm in the room is the unspoken technological subject that reorients our understanding of design outcomes, ethics/politics, and authorship. Yet to concretize the algorithm, to try to peg down its functional uses within design is to misunderstand its potentially slippery (and productive) role as a bad collaborator. Feral and unpredictable, it provokes human, systemic, and urbanistic response. Via conversations and through digital, video, and screen-based works, this symposium and exhibition looks to raise difficult questions regarding the politics of predictive/automatized software, its architectural and urban impacts, and the aftereffects of recalibrated design agency. Speakers include: Jeff Maki, urban strategist and Joanne McNeil, writer. Videos exhibited by John Szot Studio, Tim Durfee + Ben Hooker, Jenny Rodenhouse.
Read More …

Art Center College of Design / Media Design Practices
Curators: Tim Durfee and Mimi Zeiger

2015 Bi-City Biennale of Urbanism\Architecture: Re-Living The City
Former Dacheng Flour Factory & 8# Warehouse, Shenzhen

Winner of UABB Bronze Dragon award.

Now, There: Scenes from the Post-Geographic City unpacks the practices, rituals, and epistemologies that traditionally delimit the understanding of the city in terms of geographic, material, and economic parameters. Now, more than ever, urban and digital realms are inextricably linked. This exhibition presents a selection of screen-based works, objects, and texts that develop, explore, and visualize a city that is not tied to any physical locality. Now, There, however, understands this resulting networked city a place in its own right, albeit one shaped by experiences contingent on media and devices, flows of data, and the demands of global technology. As such, it too is open to a retroactive assessment of what is now and where is there.

In looking at what we call Scenes from the Post-Geographic City, our perspective is neither dystopian nor boosterish. We are not interested in sci-fi moralizing or video game nihilism. Rather, we take an optimistic view of this emergent urban condition and material culture—understanding that the effects of so much intimidating change can nevertheless be explored and appreciated—perhaps co-opted—with curiosity and humor in a way that designers and architects and filmmakers have been occasionally adept at in the past.

Now, There includes works by Besler & Sons, Walton Chu, Tim Durfee and Ben Hooker (with Jenny Rodenhouse), John Szot Studio, m-a-u-s-e-r, and Metahaven, as well as texts by Joanne McNeil, Enrique Ramirez, and Therese Tierney.