Mimi Zeiger

Critic, editor, curator and instigator.

In early March, just as case numbers and mask requirements were dropping, the New York Times editorial board published an opinion piece titled “Why New York Needs a Covid Memorial.” City and citizens, the op-ed argued, would be stronger if it could “confront its grief instead of trying to outrun it.” The authors were necessarily hazy about shape and size, style and site, but particular about the need for a place for people to gather and mourn.

In year three of the pandemic, the United States is just shy of a million COVID-related deaths. Global deaths are six times that number, with each data point representing an individual with a constellation of loved ones, friends, co-workers left behind. Clearly, there’s a need to honor the dead. But when and how? Read More …

Let’s talk about the insidious return of hippie architecture. Over the past year, as trend-watchers tracked the disciplinary resurrection of Postmodernism and the painful deconstruction of Brutalism, a shaggier architecture shuffled into the room bringing with it a waft of patchouli.

Viewers of Mad Men know what I mean. A chunk of the show’s finale last month was set in a yurt-esque structure poised on the cliff edge of the Pacific. It was there, in a group sharing exercise, that ad man, philanderer, and searcher-for-identity Donald Draper found his enlightenment surrounded by longhairs and macramé, not bouffanted secretaries and glass curtainwalls. Read More …