Mimi Zeiger

Critic, editor, curator and instigator.

Drawing on an inherited plot of land, his father’s steel company, and his brother-in-law’s architectural know-how, Motoshi Yatabe’s new house is all in the family.

Motoshi Yatabe grew up on a quiet, almost rural street in Japan’s Saitama Prefecture. There was a vegetable garden in front of his childhood home and a rice field across the street—plenty of room for him and his sister, Masako, to play. Sited roughly 15 miles outside of central Tokyo, it had yet to be colonized as part of the Greater Tokyo Area. Today, each block is lined by single-family homes packed shoulder to shoulder like commuters on a Tokyo subway.

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In 2002, the artist hoped her 63-square-foot cabin—temporary, portable, and made out of aluminum-framed fiberglass panels—would help make the High Desert an art destination outside of Los Angeles.

Andrea Zittel is a homebody. The artist, who finds herself globetrotting from Berlin to Brooklyn or from the California high desert to Stockholm, maintains two residences that double as laboratories for her artwork. A-Z East is in the Williamsburg section of Brooklyn and A-Z West is two hours outside of Los Angeles, in the town of Joshua Tree.

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On paper, the overhaul of Steve and Colleen Nusinow’s 2,000-square-foot Craftsman-style bungalow in Redondo Beach, California, is a classic empty-nest story: The kids move out, the parents treat themselves to a master suite. But their tale isn’t typical. Like many remodelers, the couple wanted to ditch their cramped bedroom, which faced the street and lacked adequate closet space. In their quest for more room and privacy, the Nusinows turned the house inside out, opening it to the outdoors for entertaining and everyday living. Read More …

Richly-colored canvases line the walls of architect Victor Lundy’s hangar-like studio in Houston, Texas. Some 50 feet wide and 65 feet long, there is ample room to make art and houses his de facto archive. Shelved are battlefield sketchbooks from his WWII service as are numerous magazine clippings featuring the architect’s designs. Over his career Lundy’s designed churches and embassies, houses and, even, inflatable structures. Practicing since the early 1950s, he still picks up the occasional house commission and paints daily. At 85, he has a restless creativity. “These days I am thinking a lot and I am on a verge of a breakthrough,” Lundy says over the phone. “I want to invent something, but it is hard. Every time I paint, the rectangle is a limiting thing. Being an architect, everything I paint is seems less important than the space I make.” The architect’s vision is grander than the canvas. It always has been. Read More …

The architect never studied with the masters, but his work was a radical reaction to the Colorado environment, and an expression of futuristic ideals.

Joel Haertling, son and de facto archivist of the late architect Charles A. Haertling, faxed over a single page written by his father. Titled “Thoughts on Architecture,” it’s a blurry, typewritten list. Charles Haertling succumbed to a brain tumor in 1984, but the text is immediate and cuts across the years: 21 enumerated glimpses into a creative mind. Someone has circled point number 14: “Design is always a tortuous, grueling, almost maddening, though heavenly sweet, task.” The line is as familiar as it is revealing. Look at Haertling’s houses with their radically pitched roofs, daring cantilevers, and mushrooming facades—products of a career spent building in the Boulder, Colorado, area—and you can see both his pleasure and his pain.

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Pibs. You know who they are and you know who you are. People in Black, or Pibs, as Gail Andersen of Lofts Unlimited calls them. They wear funny glasses and cool shoes, drink double espressos and live in lofts. In the early ’90s, when Andersen and her partner, Ray Kaliski, sold their first lofts in San Francisco, it was the Pibs who were their clientele. Who but the noble, artistic sort would find a safe haven in the bare bones chic of unfinished concrete and soaring ceilings? But as Starbucks brings the urban coffeehouse to Middle America, the loft, the domestic equivalent of the latte, is appealing to a range of people who may even wear floral print. The current real estate market finds the demand for lofts to be steadily increasing, booming, even. No longer confined to New York or San Francisco, loft sales are even brisk in Denver, Miami, and Atlanta. Read More …