Mimi Zeiger

Critic, editor, curator and instigator.

The Los Angeles wildfires — social, urban, envi­ronmental catastrophes — mark a bitter, ash-tinged end of the Western imaginary. In the Pacific Palisades and in Altadena, the American dream of a domestic pastoral has gone up in smoke, a burnt offering to the gods of 20th-century real estate development.

Its acrid stench reached me on January 7, a Tuesday night whipped by howling winds. Earlier in the day, while driving the 134 Freeway from Pasadena to Silver Lake, I had seen a plume rising over the Westside: the Palisades Fire. I found it concerning, but distant, like a black and white photograph of an atomic bomb. By evening, Altadena was aflame. The community tucked into the foothills of the San Gabriel Mountains is just a few miles from my apartment, its closeness driven home as evacuation orders and red flag warnings lit up my phone. Propelled by Santa Ana winds, ash travelled that distance quickly.

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The Tokyo architect takes us behind the scenes of the Tamedia headquarters in Zurich, a modern mid rise employing ancient Japanese joinery construction.

Having explored material in every format – from his cardboard tube emergency shelters to his Centre Pompidou-Metz, with its glulam timber roof – the Tokyo architect and his firm now turns their attention to miyadaiku and sukiya-daiku, the Japanese carpentry techniques of tea houses and temples, which use no nails, screws or other hardware. This sophisticated joinery is the main feature of the 10,120-square-metre Zurich head-quarters of Tamedia, a major publisher of newspapers, magazines and online media. Azure contributor Mimi Zeiger spoke with Ban about what makes this style of wood construction both innovative and sustainable. Read More …