Mimi Zeiger

Critic, editor, curator and instigator.

Los Angeles, being the inclusive city that it is, developed in opposed directions at the same time: the downtowns, Wilshire Boulevards, and Century Cities grew along late modern lines, while the peripheries went their own heteromorphic way. This sixties split established what has now became two architectural codes: Mies of the classes, and hetero-architecture for the masses.”- Charles Jencks, 1996.

The collision of Real Estate speculation and political friction makes Los Angeles one of the most volatile development arenas in modern urbanism. Yet, after a half-century of under-building and spot zoning, an infusion of speculative capital, coupled with a dearth of available land, is driving Los Angeles to grow up, instead of out. Present debates about homelessness, housing affordability, and urban density suggest that L.A. could embrace vertical density in a decidedly different fashion than Chicago or Manhattan- cities which adopted skyscraper development primarily as a response to technological innovation or financial speculation. While L.A.’s metropolitan context largely consists of what architectural theorist Charles Jencks once referred to as “heteromorphic architecture,” its growth upward signals the potential to give birth to a new urban form of spatial democracy, eschewing a city of iconic towers in favor of sectional and programmatic complexity instead.

Join us for a Panel Discussion centered on L.A.’s future density led by Archinect’s Amelia Taylor-Hochberg and featuring architects Scott Johnson, Jimenez Lai, John Southern, Peter Zellner, and journalist Mimi Zeiger.

The panel coincides with John Southern’s exhibition, Hot on the Heels of Love: Sensational Speculations– Now on view at the Jai&Jai Gallery.

To celebrate the closing of the exhibition “Shelter” at the Architecture + Design Museum, on curators Sam Lubell and Danielle Rago hosted two panel discussions with the featured architects, focusing on the sites that serve as the exhibition’s organizing principles: the Metro subway extension in front of the Los Angeles County Museum of Art, and the stretch of the LA River running through the city proper. Both sites embody much of what is affecting Los Angeles’ changing urbanism – ongoing drought, invigorated public transportation, gentrification, and increasing density.

Mimi Zeiger, West Coast Editor of The Architect’s Newspaper moderated the panel on the River, with Jimenez Lai (Bureau Spectacular), Elizabeth Timme (LA-Más), and Lorcan O’Herlihy (Lorcan O’Herlihy Architects), and Amelia Taylor-Hochberg moderated the panel on Metro, with Jennifer Marmon (PAR), Bob Dornberger (wHY), and Priscilla Fraser (senior architect at LACMA).

Archinect Sessions, featuring a live recording of the closing panel discussion.

I couldn’t sleep last night. LA was having another heatwave and rather than lay awake I read a back issue of The New Yorker, catching up on a report that said a Cascadian earthquake was overdue and would knock out much of the Pacific Northwest. A resulting tsunami would break across the West Coast devastating all architecture and infrastructure west of Interstate 5. “Toast,” noted author Kathryn Schulz.

After falling into a fitful slumber, dreaming of higher, more stable ground, I awoke to another blazing day courtesy of climate change. The sky was singed brown at the edges from wildfires taking out homes somewhere more easterly and the sound of helicopters – the vernacular “ghetto birds” – circled overhead. The reason for police action was neither immediately clear nor personally threatening. I made a note – “get earthquake kit” – then brewed coffee. Pending crisis averted.

Over the last decade, especially with the rise of research-oriented design practices, architecture has tried (and struggled) to address crisis. Specific methodologies vary, but two modes dominate: pre- and post-natural disaster. The second we recognise as social-impact design from the likes of Shigeru Ban and others. MacGyver-like, architectures responsive to aftermath are deployable, agile, and cheap. They may even earn you a Pritzker. Read More …

The M&A Catalogue Launch Party celebrates the publication of Building Something (Beyond) Beautiful, a collection of M&A’s past twelve years of projects and installations, produced with the University Art Museum, CSULB. Building Something (Beyond) Beautiful covers over a decade of art and architecture experiments, workshops, parties and performances at Materials & Applications, with special focus on the installations produced by M&A collaborators Ball & Nogues, Jimenez Lai, Layer LA, PATTERNS, Gail Borden, Doris Sung, and founding director, Jenna Didier and director emeritus Oliver Hess. The release party will be the first time the M&A catalogue will be made available to the public.

Panel Discussion on Architecture on Exhibition with Benjamin Ball, Anthony Carfello, Jimenez Lai, Ingallil Wahlroos-Ritter and Mimi Zeiger [Moderator] with Jenna Dider, Jia Gu and Courtney Coffmann

Given that exhibition-making is also a practice, how does the architectural work become transformed by the exhibition? How and why do we exhibit architecture? How do we extend possibilities of publicness in an architect’s work but do this with the work as foreground? How can we inscribe an interaction between a “public” and architects that is different than the container forms we already know (exhibitions, monographs, etc)? In a public conversation, each of the speakers speakers explore their own roles related to exhibition-making, whether in categorical divides (“artist,” curator, instigator) or through diverse genres (installation, exhibition as container, total environments, public platform).