Mimi Zeiger

Critic, editor, curator and instigator.

At 8 a.m. on a Saturday in Phoenix, coffee brews inside the city’s sprawl of desert-colored homes and apartments and a chorus of AC units starts a morning hum. About a dozen people with sensible shoes and water bottles gather in a parking lot near the banks of the Rio Salado. The nearly horizontal rays of sun hit the Palo Verde trees, making them glow.

In the shade, Angela Ellsworth, the founder and managing director of the Museum of Walking, takes a head count and passes around a clipboard asking folks to sign a liability waiver for a contemplative nature walk through the Rio Salado Habitat Restoration Area. The activity promises an easy 3-mile loop. The paperwork, albeit bureaucratically par for the course, is part of the process—a commitment to a mostly-silent, two-hour hike led by our “curator of walking” for the day, a local musician and interpretive park ranger named Amber Gore.

Desert finches rustle in the brittlebrush as Gore leads us along the trail. She instructs us to listen to our feet crunching on the path, and as we do, the noise of the highway fades away and we’re surrounded by the sounds and smells of Sonoran wetland.

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Alejandro Aravena opens his Reporting from the Front with a backhand lob. “ARCHITECTURE IS” greets Biennale visitors entering the Arsenale, the first of his exhibition’s two main venues.

Neither a question nor a statement, it is an open phrase that begs completion. Aravena fills it in with the tenderhearted sentiment “giving form where people live”, and the accompanying exhibition displays an equally sensitive array of designs that are humanistic, material-based, and locally contextualised. Read More …

Salon Participant

HACLab Pittsburgh: Imagining the Modern

The city of Pittsburgh encountered modern architecture through an ambitious program of urban revitalization in the 1950s and ’60s. HACLab Pittsburgh: Imagining the Modern untangles Pittsburgh’s complicated relationship with modern architecture and urban planning.

In this experimental presentation at Carnegie Museum of Art’s Heinz Architectural Center, architects-in-residence over,under highlight successive histories of pioneering architectural successes, disrupted neighborhoods, and the utopian aspirations and ideals of public officials and business leaders. These intertwined narratives shape the exhibition’s presentation, which includes abundant archival materials from the period, an active architecture studio, and a salon-style discussion space, all unearthing layers of history and a range of perspectives.

Through these stories, HACLab Pittsburgh demonstrates the city’s national influence in the development of the modern American city, and focus on several neighborhoods and sites, including Gateway Center, the Lower Hill, Allegheny Center, and Oakland. Read More …

In an era of star architects and rapidly consumed online media, what is the contemporary role of architectural criticism and the design critic? How does a critic negotiate the sometimes obscure territory of discipline-specific issues or vocabularies and bring larger awareness of design to the public and, conversely, how do contemporary social issues impact the profession?

Robert Irwin is all about context—or, more to the point, our perception of context. For close to four decades, he’s made art about how we see place and atmosphere: His gallery installations transform lowly fluorescent tubes and fabric scrim into otherworldly environments, and his carefully attuned landscapes offer up meditations on color, light, and time. His precise placement of one light bulb or one tree might lead viewers to reconsider their understanding of a window, a painting, or even the sky. So it’s a wonder to learn that the artist’s studio is no place of any note—a rental unit among a series of roll-up doors in a nondescript warehouse just north of La Jolla, Calif. Read More …

When SOM’s federal courthouse opens in downtown Los Angeles, the 633,000-square-foot civic edifice will feature a monumental new artwork from L.A.-based artist Catherine Opie. Over the course of her career, Opie has taken on many architectural subjects: freeways, modernist interiors, and even lonesome icehouses. The General Services Administration commissioned her six-panel photographic mural of Yosemite Falls, which is installed in the multi-story atrium of the boxy glass building. Mimi Zeiger spoke to Opie about architecture, nature, and justice. Read More …

At 95, the dancer, choreographer and activist Anna Halprin has no time for nostalgia. Last summer she celebrated her birthday with a performance on the dance deck at her home in Marin County. Bare feet on redwood boards, white hair framed against the pine trees beyond, she was as present and lively as when her late husband and collaborator, the landscape architect Lawrence Halprin, first built the deck for her in 1954. Read More …

“If all possible old building stock in Los Angeles was converted to creative office space, that still wouldn’t meet the demand for creative offices,” a commercial real estate broker once explained to me.

At the time, his company was trying to crack the workplace code: how to cater to the technology sector’s voracious taste for converted industrial warehouses and lofts? Established tech companies and startups alike had aligned the rough-and-ready aesthetics of the artist studio with the well-worn terms of Silicon Valley – disruption, innovation, and flexibility. Read More …

Until recently most Angelenos likely regarded tiny houses — residences as small as 70 square feet — with bemusement, as fodder for cable TV series or design magazines. Last month, however, tiny houses became a social justice cause when the city seized three that had been donated to people who are homeless.

Boxy and brightly painted, with wheels, lights and a lockable door, these particular crowdfunded shelters were constructed by Los Angeles resident Elvis Summers and provided to homeless people in South Los Angeles as a step up from the tents and tarp settlements that now dot the city. His act of good samaritanship has sparked a debate among city officials, activists, homeless individuals, and neighborhood residents over whether tiny houses are blight or salvation. Read More …

Shelter. Let’s start there. It’s a basic need. The root of architecture— Marc-Antoine Laugier’s enlightenment frontispiece offers up the primitive hut as reason over nature. A right, right? We’d like to think so. But globally and nationally, the simplest of human acts of shelter are elusive, politicized, and pushed to extremes. In architecture building types conventions split along economic lines: house versus housing. The former is a client-driven expression of taste, while the latter requires a systematic juggling of multiple units and services. Read More …