Mimi Zeiger

Critic, editor, curator and instigator.

I admit it; I’ve retreated. In the midst of a scorching summer of bigotry and violence, where every day serves up another horror at home and abroad, I’ve taken to bed. I soothe myself with heavy doses of the genteel diversity pictured on The Great British Baking Show (or Bake Off in its homeland), where layers of pastry unify a country polarised by Brexit.

Other nights I indulge in Mr Robot, caught up in a world of digital unrest where the hackers are good guys operating in the name of equity, not a possible foreign power trying to disrupt an election. Read More …

It turns out architecture folk don’t really go for junk fiction when it comes to summer reading. Karl Ove Knausgaard makes another appearance, alongside classics by Albert Camus and Frantz Fanon, as well as some more architecture-specific reads. Here’s what Amale AndraosDora Epstein JonesJenna Didier, and Mimi Zeiger are reading (and listening to) this summer—and why. Read More …

Brasília is a living museum for monuments and architecture,” says photographer Daniel Shea, who recently traveled from his home in New York City to central Brazilto shoot the iconic modernist city. “The buildings retain their function, but the city is really a historical site.”

From the air, Brasília looks like a bird or an airplane—a city poised to take flight into the future. It was designed and built to do just that. In the late 1950s, Brazilian president Juscelino Kubitschek envisioned a new federal capital in the country’s rural interior, one that would leave behind the colonial baggage of the old capital, Rio de Janeiro. He held a competition, and an international jury selected Brazil’s brightest talents to conceive not just individual buildings, but the workings of an entire city. His forward-looking utopian dream was inaugurated in 1960, and today Brasília is known as an unusually intact time capsule of what we used to think of as the future.  Read More …

Almost every Angelino has a dingbat story. It might be a tale of love and loss in a sixties-era apartment complex or a joke about a friend who lived in stucco box in West L.A. with “stoner” scrawled across the façade in fancy script. Dignbats are such a common multifamily building type that we almost forget about them, even though they crop up everywhere across the Los Angeles basin. They are neighborhood infill noted by such keen observers of the built environment as Ed Ruscha and architecture historian Reyner Banham but rarely celebrated. Read More …

Liam Young is protagonist of his own making: an architect, an educator, a storyteller, and a foot soldier of the visionary present. Born in Brisbane, Australia, based in London, moving to Los Angeles, Young makes films about cities – complex cities in China or India on the verge of emergence or collapse (likely both), cities that illustrate something unsettling about our now and our future. Like all heroes, he needs an origin story. Read More …

As rents increase and household income stagnates, more people are turning to micro-living as an alternative to pricier options. On Tuesday, June 28, at the Japanese American National Museum in downtown L.A., KPCC reporter Josie Huang met with a panel of experts to discuss the viability of micro-units as a response to L.A.’s affordable housing crisis. Panelists discussed the recent trend in the development of micro-units – typically apartments that are 400 square feet or smaller. Topics covered included the affordability and sustainability of the units, their impact on the racial and socioeconomic composition of neighborhoods, and the cultural and economic trends whose pressures they reflect. Read More …

The Association for Women in Architecture was founded almost 100 years ago for the purpose of advancing and supporting women in their careers in an exceedingly male dominated industry. Clearly, a lot has changed since our organization was formed. But even today, statistics continue to show that a deficit exists between male and female career advancement, pay and leadership within the field of Architecture and its allied industries.

Join our distinguished panel of architects, designers, educators, journalists and activists for a discussion on gender–how it affects our lives and how the work we do can transcend. Topics will range from the practical to the philosophical and intangible. Opportunities, pay and promotions, creativity, goals, status, visibility — all are questioned in the symposium on DOES GENDER MATTER?

Featuring a panel conversation with:
Mimi Zeiger
Gere Kavanaugh
Leigh Christy
Laurel Broughton
Annie Chu
Rebecca Rudolph
Jessica Fleischmann

Join us in discussing alternative models of urbanism and how public realm investments can support culture and build community. The recently completed ‘Hollywood Pop!’ will serve as as a starting point for our discussion. A yearlong park installation funded by the Sunset & Vine Business Improvement District, the project was designed and built by LA-Más to explore divergent approaches to providing public amenities in the private realm.

Our diverse panel represents a wide range of voices – urban advocates, bureaucrats, designers, critics, and Hollywood business stakeholders. Our discussion will focus on the potential of public-private partnerships and small scale investments that can not only blur traditional urban boundaries, but also provide a model for investment and impact at the neighborhood scale.

This discussion features Nat Gale (Los Angeles Department of Transportation), Elizabeth Timme (LA-Más), Daveed Kapoor (utopiad.org), Mimi Zeiger (critic), Matthew Severson (Hollywood Property Owners Alliance), with facilitation by Helen Leung (LA-Más).

What is disruption, anyway? The term has been cast as a tech market tactic, a cultural trope, and a belief system of near-theological proportions. In an evening of performances and provocations, we considered many definitions of this watchword. Presenters offered perspectives of radical change ranging from activism and technology to equity and design:

Participants: It’s Showtime NYC subway dancers; Kimberly Drew, @museummammy and associate online community producer, The Metropolitan Museum of Art; Riley Hooker, editor, Façadomy; E. Tammy Kim, editorial staffer, The New Yorker, Jonathan Lee, design manager/lead, Google Design; Oscar Nuñez, program coordinator, Center for Urban Pedagogy; members of Picture the Homeless; Steven Thrasher, U.S. writer-at-large, The Guardian; and critic, editor, and curator Mimi Zeiger

Artist Janet Echelman creates extra-large, jellyfish-like sculptures—colorful net structures that compete with the size of buildings. Yet, to merely refer to their monumental scale is to ignore their subtle and surprising dynamic details. Her artworks aren’t set in stone; instead, they hang in the air, responsive to the wind. Each sculpture, made of ropes tied into netting with tens of thousands of often hand-tied knots, casts an ever-changing pattern of shadows on the urban environment. Read More …