Mimi Zeiger

Critic, editor, curator and instigator.

The U.S. pavilion at the 2012 Venice Architecture Biennale featured American designers and artists deploying improvisational and even guerrilla tactics to make cities more sustainable, accessible, and inclusive. Hear from three of those artists whose works used heritage to create new opportunities and amenities for the public. From symbolic to practical, physical to virtual, whimsical to serious, these projects explore the interplay between unsanctioned and official, and suggest fresh tactics for engaging the public and revitalizing communities.

Mimi Zeiger, architecture journalist and critic
Richard Saxton and Stuart Hyatt, Campito, The M12 Collective
Graham Coreil-Allen, New Public Sites
Shaun Slifer, The Howling Mob Society

Advisory Board Member and Respondent

In 2030, the world’s population will be a staggering eight billion people. Of these, two-thirds will live in cities. Most will be poor. With limited resources, this uneven growth will be one of the greatest challenges faced by societies across the globe. Over the next years, city authorities, urban planners and designers, economists, and many others will have to join forces to avoid major social and economical catastrophes, working together to ensure these expanding megacities will remain habitable.

To engage this international debate, Uneven Growth brings together six interdisciplinary teams of researchers and practitioners to examine new architectural possibilities for six global metropolises: Hong Kong, Istanbul, Lagos, Mumbai, New York, and Rio de Janeiro. Following on the same model of the MoMA exhibitions Rising Currents and Foreclosed, each team will develop proposals for a specific city in a series of workshops that occur over the course of a 14-month initiative.

Uneven Growth seeks to challenge current assumptions about the relationships between formal and informal, bottom-up and top-down urban development, and to address potential changes in the roles architects and urban designers might assume vis-à-vis the increasing inequality of current urban development. The resulting proposals, which will be presented at MoMA in November 2014, will consider how emergent forms of tactical urbanism can respond to alterations in the nature of public space, housing, mobility, spatial justice, environmental conditions, and other major issues in near-future urban contexts.

Urban Case Study Teams:
New York: Situ Studio, New York, and Cohabitation Strategies (CohStra), Rotterdam
Rio de Janeiro: RUA Arquitetos, Rio de Janeiro, and MAS Urban Design ETH, Zurich
Mumbai: URBZ, Mumbai, and Pop Lab, Massachusetts Institute of Technology (MIT), Cambridge
Lagos: NLÉ Architects, Lagos, and Inteligencias Colectivas, Madrid
Hong Kong: MAP Office, Hong Kong, and Network Architecture Lab, Columbia University, New York
Istanbul: Superpool, Istanbul, and Atelier d’Architecture Autogérée, Paris

For an exhibition about architectural projects that never broke ground, there’s something rather cheery about Never Built: Los Angeles, on view at the A+D Museum through October 13. Outside, an oversized lenticular facade is a shade of yellow that shouts Southern California—it’s all citrus groves and sunshine. A billboard-sized image of the Cadillac-like Goodell Monorail is frozen mid-zoom along Wilshire Boulevard. Inside, a map of the Los Angeles Basin stretches out across the gallery floor. Sam Lubell and Greg Goldin have brought together a selection of unrealized works, many of which, if built, had the potential to change our understanding of the city. For the curators “what if” is not a lament, per se, but rather a celebration of speculative possibilities and a challenge to the present status quo. Read More …

It’s a sunny spring morning in Venice, CA. At 10 a.m. there’s no lingering marine cover, and the sky is such a bright blue it makes you blush to think of gray climes just emerging from winter. Cars fill the Westminster Avenue Elementary School parking lot, and visitors arriving for a Los Angeles Conservancy walking tour pile out, ready to hit the asphalt in sensible shoes. The self-guided tour is entitled Venice Eclectic: Modern Architecture from the ’70s and ’80s and part of “Curating the City Modern Architecture in L.A.,” the Conservancy’s ongoing contribution to Pacific Standard Time: Modern Architecture in Los Angeles. Read More …

Big City Forum returns for a second annual residency at Armory Center for the Arts with a new series, entitled Transforming the Social, which features six panel conversations that recognize and celebrate the ability to create transformative moments within the scope of the built environment and social space. Armory is pleased to have been hosting Big City Forum in residence since 2012, which saw the launch of Mapping LA, a series of four events exploring current creative practices that inform the landscape and geography of Los Angeles. Through its residency at Armory, Big City Forum is deepening its ongoing investigation of social and civic space within the built environment of the Los Angeles region. The residency builds upon a shared interest between the Armory and Big City Forum in advancing public discourse on the notion of social and civic engagement.

This panel discussion brings together four practitioners from the fields of art and architecture to discuss the complexity of social engagement. Speakers will investigate the agency of art and design when shaping spaces for a public. What I Talk About When I Talk About Community asks for more refined understanding of community, in order to reveal the politics, pitfalls, and pleasures of these practices.

Featuring:
Victor Jones, principal of Los Angeles-based Fievre Jones, cultural activist, and writer, whose research lies at the intersection of architecture, urban design, and community building within cities. Recent design projects include the Platform for Watts House Project (2011) and a skate park for New Orleans’ City Park (2009). His design work has been supported by numerous grants, including the Graham Foundation, Artplaces, and the Nathan Cummings Foundation. He is currently Assistant Professor of Architecture at the University of Southern California.

ennifer Su and Laura Noguera, co-owners of Thank You for Coming, a communal restaurant/residency program that “aims to give people with varying experiences and backgrounds an opportunity to explore and execute ideas around sharing food. Residents are invited to utilize our restaurant space as a platform for public engagement and creative experimentation.

James Michael Tate received his Masters of Architecture from Yale University and Bachelors of Environmental Design from Texas A&M University. He has previously worked for MOS, Peter Eisenman, and Samuel Mockbee. Tate co-taught a studio with Michael Maltzan at Rice University this past spring; the experience motivated him to move to Los Angeles. Tate designs, makes, writes, and participates in a variety of architectural affairs. His current affinities include narratives, oppositional dialectic blends, seeking refuge in unsettled territories between art and architecture, the latent potentialities of history in contemporary experiments, and the Korean taco food-truck.

Moderator:
Mimi Zeiger, editor and publisher of loud paper, a zine and blog dedicated to increasing the volume of architectural discourse. As writer and critic she covers art, architecture, urbanism, and design for the New York Times, Domus, Dwell, and Architect, where she is a contributing editor. Zeiger is author of New Museums: Contemporary Museum Architecture Around the World; Tiny Houses; and Micro Green: Tiny Houses in Nature.

OVER BLACK

Sounds of the inner spaces rushing forward.

Then a splinter of blue light in the center of the picture.
It breaks wide, showing the top and bottom a silhouetted curtain of razor sharp teeth suggesting that we are inside of a tremendous gullet, looking out at the onrushing under-sea world at night. HEAR a symphony of underwater sounds:
landslide, metabolic sounds, the rare and secret noises that certain undersea species share with each other. Read More …

Chalk it up to the rise of social media in the late 2000s or to the collective actions instigated by the Occupy Movement, but social practice has emerged (or rather, re-emerged) in recent years as a dominant mode of production across multiple disciplines. Social Club explores the role of “social practice” in art, architecture, and urbanism. It features speakers whose work relies on a dialogue with the public sphere. Members of this Social Club are artists, writers, curators, and architects who use both strategies and tactics, including community collaborations, publishing, urban interventions, social media, and grassroots activism. Their work is critical and catalytic, reframing the conventions and expectations of practice.

Guest Curator:
Mimi Zeiger

Speakers:
Liz Glynn, artist
Leonardo Bravo, artist/curator, Big City Forum
Rosten Woo, writer/curator, Center for Urban Pedagogy (CUP)
Iker Gil, architect, MAS Context
Pedro Gadanho, Curator for Contemporary Architecture, MoMA
Richard Saxton, artist, M12

In recent years, there has been a nascent movement of designers acting on their own initiative to solve problematic urban situations, creating new opportunities and amenities for the public. Provisional, improvisational, guerrilla, unsolicited, tactical, temporary, informal, DIY, unplanned, participatory, opensource—these are just a few of the words that have been used to describe this growing body of work.

Spontaneous Interventions frames an archive of compelling, actionable strategies, ranging from urban farms to guerrilla bike lanes, temporary architecture to poster campaigns, urban navigation apps to crowdsourced city planning. These efforts cut across boundaries, addressing architecture, landscape, infrastructure, and the digital universe, and run the gamut from symbolic to practical, physical to virtual, whimsical to serious. But they share an optimistic willingness to venture outside conventional practice and to deploy fresh tactics to make cities more sustainable, accessible, and inclusive.

Awarded Special Mention for National Participation.

Commissioner and Curator: Cathy Lang Ho
Co-curators: David van der Leer and Ned Cramer
Curatorial Advisors: Paola Antonelli, Anne Guiney, Zoe Ryan, Michael Sorkin and Erik Adigard
Project managers: Gordon Douglas and Mimi Zeiger
Design: Freecell, M-A-D, and Interboro Partners

“[T]he show may not be the first but it is the latest and one of the most panoramic surveys of this sort of insurgent, unplanned, provisional, do-it-yourself micro-cultural citizen activism.

That many of the projects here skirt authority and don’t involve architects suggests not that architects aren’t important or that cities don’t depend on top-down plans. It suggests that cities and architects still have a ways to go to catch up with an increasingly restless public’s appetite for better design and better living.

And that the public isn’t waiting.”—Michael Kimmelman, The New York Times

In late January 2011, as Egyptian protesters filled Tahrir Square in Cairo, the activist website IndyMedia.com published exemplary pages from How to Protest Intelligently. Available as a PDF ready to print, the 26-page illustrated pamphlet, published in Arabic and English, clearly spelled out the Egyptian people’s demands and the actions and supplies needed to resist state forces. Read More …

If there’s a common question to be answered by the dozens of projects collected in Spontaneous Interventions, it might be: “What is the role of a local project in a global age?” The individual projects represented—pop-up parks, community agriculture, ad-hoc street furniture, guerrilla bike lanes—are not necessarily overt as they position themselves against the effects of global capital. However, taken as a group, these interventions run counter to the unchecked boom-and-bust development of what David Harvey and others critically describe as the neoliberal city. Small-scale and socially engaged, spontaneous interventions use design to enrich public space and foster civic life at a time when the disparity between daily life and the governmental and corporate mechanisms shaping cities is at an all-time high. Read More …