Mimi Zeiger

Critic, editor, curator and instigator.

As a civic figure, the architect has the privilege and responsibility to articulate and translate the collective aspirations of society, and specifically of those not able to sit at the decision-making tables.

Throughout history, architects have engaged with this responsibility and the structures of economic, political and cultural power in different ways and with varying degrees of success. With the rise of globalization and the homogenization of the contemporary city, the role of the architect in the political arena has often been relegated to answering questions that others have asked. While designing the next economically driven cultural-iconic-touristic object, an increasing amount of both architects and with them, politicians, have forgotten the ethics that should be associated with architectural practice and the potential of design in the construction of public life.  Read More …

Dear Mayor Garcetti,

“The best place to view Los Angeles of the next millennium is from the ruins of its alternative future.”
—Mike Davis, City of Quartz (1990)

“L.A. WANTS 2 HELP U”
—Billboard Oracle, L.A. Story (1991)

What is the future of Los Angeles? This is the question everyone is asking. And it is the perennial question posed by everyone from William Mulholland to Walt Disney to Frank Gehry. In each casting of the runes, the city is both subject and object. It is a place where the wind rustling the bougainvillea is a siren song and the Santa Ana’s blowing down palm fronds is an omen. But you know this, my fellow Angelino. Just as you know that The Los Angeles 2020 Commission wrinkles its collective brow with concern as it evaluates the next six years and that the LA2050 initiative (funded by the Goldhirsh Foundation) foresees an optimistic, crowdsourced metropolis. Read More …

Mextropoli, the First International Festival on Architecture and the City, organized by Arquine and directed by Andrea Griborio, takes place in Mexico City March 22-26, 2014.

Panel Discussion: Habla ciudad: la crítica
Iker Gil (Chicago), Andrés Jaque (Madrid), Ethel Baraona Pohl (Barcelona), Mimi Zeiger (Los Angeles)

Habla ciudad: la crítica
Date: Wednesday, March 26, 2014
Time: 5 pm – 6:30 pm
Location: Plaza de la Santa Veracruz

 

When Barry Bergdoll, MoMA’s outgoing Philip Johnson Chief Curator of Architecture and Design, took the podium at an October workshop for Uneven Growth: Tactical Urbanisms for Expanding Megacities, he warmly welcomed the participants, who had gathered at the Museum from around the globe. On hand to embark on a yearlong study exploring potential architectures of global urbanism were architects and researchers from Boston and Brazil, New York and Nigeria, as well as from Spain, Switzerland, the Netherlands, India, France, Turkey, and Hong Kong, all of whom had been selected by architecture curator Pedro Gadanho. Read More …

This year, the Van Alen Institute in New York celebrates its 120th anniversary. It’s hard to believe that an organization that was founded in 1894 as the Society of Beaux-Arts Architects would find itself in 2014 with a taxi-yellow bookshop on West 22nd Street, the drive to keep reinventing itself, and a new leader with a global vision. Read More …

Edited by Miriam Paeslack, University at Buffalo (SUNY), Buffalo, NY, USA

Buffalo, in New York state, is ‘ineffable’: a typical city in transition between its past and future. It is a classic example of one of many ‘shrinking cities’ in North America and elsewhere which once prospered because of heavy industrialization, but which now have to deal with various degrees of urban decay. Bringing together a range of scholars from the humanities, the social sciences, art and architecture, this volume looks at both the literal city image and urban representation generated by photographs, video, historical and contemporary narratives, and grass-root initiatives. It investigates the notion of agency of media in the city and, in return, what the city’s agency is. This agency matters particularly as it is both transforming – shrinking, fading, being redefined – and being shaped through its visual and spatial mediation. Read More …

When did the war between technology and urbanism now battling on the streets of San Francisco begin? On December 10, protesters blocked a private bus from commuting from the city’s Mission District to Google headquarters in Mountain View, 34 miles away. Over the summer, emotions ran high when tech entrepreneur Peter Shih posted his screed 10 Things I Hate About You: San Francisco Edition. Read More …

To cap off 2013, ARCHITECT asked a few critics and contributors to list their favorite architecture and design books of 2013. This informal panel picked books that even devoted design readers may have overlooked, plus some titles that no one can afford to miss. Here are seven titles they named as their favorites of the year (and one editor’s pick for good measure). Read More …

Different Kinds of Water Pouring Into a Swimming Pool, on view now at REDCAT through November 24, is the first solo project by Madrid-based architect Andrés Jaque / Office for Political Innovation in Los Angeles. Jaque, who is currently a professor at GSAPP Graduate School of Architecture, Planning and Preservation at Columbia University in New York, sidesteps conventional notions of architecture, preferring to make work that stirs up questions around community, consumption, and political engagement. His work, IKEA Disobedients, which was performed at MoMA PS1 in New York was recently acquired by the Museum of Modern Art of New York (MoMA) as the first “architectural performance piece” in its collection. Read More …

Across our diverse fields we are tackling the question of how to better engage the bottom-up-open-source-distributed-tactical-informal-crowd phenomena surrounding us, whether in the service sector, the city, or the networked community. Read More …