Mimi Zeiger

Critic, editor, curator and instigator.

I’m tempted to quote Dionne Warwick’s famous line “LA is a great big freeway” as a breezy lede to the Los Angeles County Art Museum’s preopening of the David Geffen Galleries, if only to insert the singer and psychic’s name into the pages of LARA, but Los Angeles is not a great big freeway. However, Peter Zumthor’s infrastructural art museum is (as I’ve written before) an overpass.

The overpass is certainly another well-worn trope—some soaring CalTrans feats and others wrapped in chain link and hung with NO ICE banners. Yet it’s also a moment of spatial trespass, where one part of the urban fabric folds back on another.

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Last month, LACMA announced that James Goldstein — an eccentric personage familiar courtside at Lakers games — had promised his iconic John Lautner–designed home to the museum. The gift, which includes $17 million (£12.1 million) for preservation and maintenance, was widely reported along with the well-known piece of pop cultural trivia, that the house was featured in a Coen brothers’ film — as summed up with one clickbait headline: The Porn House From The Big Lebowski Has Been Donated to a Museum. Read More …