Mimi Zeiger

Critic, editor, curator and instigator.

Modernism marks the beginning of linear time and the end of circular time, commented novelist Alvaro Enrigue. His remarks came amid an exchange with artist Adrián Villar Rojas— one of seventeen performances, keynotes, and dialogues presented as part of AIR Aspen: Life as No One Knows It, a weeklong interdisciplinary conference organized by the Aspen Art Museum. The inaugural festival, held in late July to time with the Aspen Art Fair and ArtCrush Gala, is the latest ideas summit to mine the Bauhaus-inflected legacy of the Aspen Institute’s legendary International Design Conference and gather minds in the Rockies.

Read More …

In early March, just as case numbers and mask requirements were dropping, the New York Times editorial board published an opinion piece titled “Why New York Needs a Covid Memorial.” City and citizens, the op-ed argued, would be stronger if it could “confront its grief instead of trying to outrun it.” The authors were necessarily hazy about shape and size, style and site, but particular about the need for a place for people to gather and mourn.

In year three of the pandemic, the United States is just shy of a million COVID-related deaths. Global deaths are six times that number, with each data point representing an individual with a constellation of loved ones, friends, co-workers left behind. Clearly, there’s a need to honor the dead. But when and how? Read More …