Mimi Zeiger

Critic, editor, curator and instigator.

Brasília is a living museum for monuments and architecture,” says photographer Daniel Shea, who recently traveled from his home in New York City to central Brazilto shoot the iconic modernist city. “The buildings retain their function, but the city is really a historical site.”

From the air, Brasília looks like a bird or an airplane—a city poised to take flight into the future. It was designed and built to do just that. In the late 1950s, Brazilian president Juscelino Kubitschek envisioned a new federal capital in the country’s rural interior, one that would leave behind the colonial baggage of the old capital, Rio de Janeiro. He held a competition, and an international jury selected Brazil’s brightest talents to conceive not just individual buildings, but the workings of an entire city. His forward-looking utopian dream was inaugurated in 1960, and today Brasília is known as an unusually intact time capsule of what we used to think of as the future.  Read More …

Almost every Angelino has a dingbat story. It might be a tale of love and loss in a sixties-era apartment complex or a joke about a friend who lived in stucco box in West L.A. with “stoner” scrawled across the façade in fancy script. Dignbats are such a common multifamily building type that we almost forget about them, even though they crop up everywhere across the Los Angeles basin. They are neighborhood infill noted by such keen observers of the built environment as Ed Ruscha and architecture historian Reyner Banham but rarely celebrated. Read More …

Liam Young is protagonist of his own making: an architect, an educator, a storyteller, and a foot soldier of the visionary present. Born in Brisbane, Australia, based in London, moving to Los Angeles, Young makes films about cities – complex cities in China or India on the verge of emergence or collapse (likely both), cities that illustrate something unsettling about our now and our future. Like all heroes, he needs an origin story. Read More …

As rents increase and household income stagnates, more people are turning to micro-living as an alternative to pricier options. On Tuesday, June 28, at the Japanese American National Museum in downtown L.A., KPCC reporter Josie Huang met with a panel of experts to discuss the viability of micro-units as a response to L.A.’s affordable housing crisis. Panelists discussed the recent trend in the development of micro-units – typically apartments that are 400 square feet or smaller. Topics covered included the affordability and sustainability of the units, their impact on the racial and socioeconomic composition of neighborhoods, and the cultural and economic trends whose pressures they reflect. Read More …

The Association for Women in Architecture was founded almost 100 years ago for the purpose of advancing and supporting women in their careers in an exceedingly male dominated industry. Clearly, a lot has changed since our organization was formed. But even today, statistics continue to show that a deficit exists between male and female career advancement, pay and leadership within the field of Architecture and its allied industries.

Join our distinguished panel of architects, designers, educators, journalists and activists for a discussion on gender–how it affects our lives and how the work we do can transcend. Topics will range from the practical to the philosophical and intangible. Opportunities, pay and promotions, creativity, goals, status, visibility — all are questioned in the symposium on DOES GENDER MATTER?

Featuring a panel conversation with:
Mimi Zeiger
Gere Kavanaugh
Leigh Christy
Laurel Broughton
Annie Chu
Rebecca Rudolph
Jessica Fleischmann

Join us in discussing alternative models of urbanism and how public realm investments can support culture and build community. The recently completed ‘Hollywood Pop!’ will serve as as a starting point for our discussion. A yearlong park installation funded by the Sunset & Vine Business Improvement District, the project was designed and built by LA-Más to explore divergent approaches to providing public amenities in the private realm.

Our diverse panel represents a wide range of voices – urban advocates, bureaucrats, designers, critics, and Hollywood business stakeholders. Our discussion will focus on the potential of public-private partnerships and small scale investments that can not only blur traditional urban boundaries, but also provide a model for investment and impact at the neighborhood scale.

This discussion features Nat Gale (Los Angeles Department of Transportation), Elizabeth Timme (LA-Más), Daveed Kapoor (utopiad.org), Mimi Zeiger (critic), Matthew Severson (Hollywood Property Owners Alliance), with facilitation by Helen Leung (LA-Más).

What is disruption, anyway? The term has been cast as a tech market tactic, a cultural trope, and a belief system of near-theological proportions. In an evening of performances and provocations, we considered many definitions of this watchword. Presenters offered perspectives of radical change ranging from activism and technology to equity and design:

Participants: It’s Showtime NYC subway dancers; Kimberly Drew, @museummammy and associate online community producer, The Metropolitan Museum of Art; Riley Hooker, editor, Façadomy; E. Tammy Kim, editorial staffer, The New Yorker, Jonathan Lee, design manager/lead, Google Design; Oscar Nuñez, program coordinator, Center for Urban Pedagogy; members of Picture the Homeless; Steven Thrasher, U.S. writer-at-large, The Guardian; and critic, editor, and curator Mimi Zeiger

Alejandro Aravena opens his Reporting from the Front with a backhand lob. “ARCHITECTURE IS” greets Biennale visitors entering the Arsenale, the first of his exhibition’s two main venues.

Neither a question nor a statement, it is an open phrase that begs completion. Aravena fills it in with the tenderhearted sentiment “giving form where people live”, and the accompanying exhibition displays an equally sensitive array of designs that are humanistic, material-based, and locally contextualised. Read More …

Salon Participant

HACLab Pittsburgh: Imagining the Modern

The city of Pittsburgh encountered modern architecture through an ambitious program of urban revitalization in the 1950s and ’60s. HACLab Pittsburgh: Imagining the Modern untangles Pittsburgh’s complicated relationship with modern architecture and urban planning.

In this experimental presentation at Carnegie Museum of Art’s Heinz Architectural Center, architects-in-residence over,under highlight successive histories of pioneering architectural successes, disrupted neighborhoods, and the utopian aspirations and ideals of public officials and business leaders. These intertwined narratives shape the exhibition’s presentation, which includes abundant archival materials from the period, an active architecture studio, and a salon-style discussion space, all unearthing layers of history and a range of perspectives.

Through these stories, HACLab Pittsburgh demonstrates the city’s national influence in the development of the modern American city, and focus on several neighborhoods and sites, including Gateway Center, the Lower Hill, Allegheny Center, and Oakland. Read More …

Robert Irwin is all about context—or, more to the point, our perception of context. For close to four decades, he’s made art about how we see place and atmosphere: His gallery installations transform lowly fluorescent tubes and fabric scrim into otherworldly environments, and his carefully attuned landscapes offer up meditations on color, light, and time. His precise placement of one light bulb or one tree might lead viewers to reconsider their understanding of a window, a painting, or even the sky. So it’s a wonder to learn that the artist’s studio is no place of any note—a rental unit among a series of roll-up doors in a nondescript warehouse just north of La Jolla, Calif. Read More …