Mimi Zeiger

Critic, editor, curator and instigator.

I’m tempted to quote Dionne Warwick’s famous line “LA is a great big freeway” as a breezy lede to the Los Angeles County Art Museum’s preopening of the David Geffen Galleries, if only to insert the singer and psychic’s name into the pages of LARA, but Los Angeles is not a great big freeway. However, Peter Zumthor’s infrastructural art museum is (as I’ve written before) an overpass.

The overpass is certainly another well-worn trope—some soaring CalTrans feats and others wrapped in chain link and hung with NO ICE banners. Yet it’s also a moment of spatial trespass, where one part of the urban fabric folds back on another.

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US Pavilion, Venice Architecture Biennale: May 26–November 25, 2018

Wrightwood, Chicago: February 28–April 27, 2019

Curators: Niall Atkinson, Ann Lui, Mimi Zeiger, and Iker Gil

Commissioners: University of Chicago and School of the Art Institute Chicago

Participants: Amanda Williams + Andres L. Hernandez in collaboration with Shani Crowe, Studio Gang, SCAPE, Estudio Teddy Cruz + Fonna Forman, Diller Scofidio + Renfro, Laura Kurgan, Robert Gerard Pietrusko, with the Columbia Center for Spatial Research, Keller Easterling with MANY, and Design Earth

Films: Frances Bodomo, Mandana Moghaddam, David Rueter and Marissa Lee Benedict, Mika Rottenberg, and Liam Young

Exhibition and graphic design: INFO_CO

Photos: Tom Harris Read More …

Liam Young is protagonist of his own making: an architect, an educator, a storyteller, and a foot soldier of the visionary present. Born in Brisbane, Australia, based in London, moving to Los Angeles, Young makes films about cities – complex cities in China or India on the verge of emergence or collapse (likely both), cities that illustrate something unsettling about our now and our future. Like all heroes, he needs an origin story. Read More …