Mimi Zeiger

Critic, editor, curator and instigator.

Modernism marks the beginning of linear time and the end of circular time, commented novelist Alvaro Enrigue. His remarks came amid an exchange with artist Adrián Villar Rojas— one of seventeen performances, keynotes, and dialogues presented as part of AIR Aspen: Life as No One Knows It, a weeklong interdisciplinary conference organized by the Aspen Art Museum. The inaugural festival, held in late July to time with the Aspen Art Fair and ArtCrush Gala, is the latest ideas summit to mine the Bauhaus-inflected legacy of the Aspen Institute’s legendary International Design Conference and gather minds in the Rockies.

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Curators: Mario Ballesteros, Andrea Dietz, Sarah Lorenzen, and Mimi Zeiger
 

Artists and writers: Frida Escobedo, Aris Janigian, Pedro&Juana, Tezontle, Katya Tylevich, and David Ulin

Neutra VDL Studio and Residences, Los Angeles with Los Angeles Forum for Architecture and Urban Design and Archivo Diseño y Arquitectura.

Tu casa es mi casa features site-specific installations by three Mexico City–based design teams—Frida Escobedo, Pedro&Juana, and Tezontle, and three California-based writers—Aris Janigian, Katya Tylevich, and David Ulin.

If our contemporary political moment offers up a border wall as the primary architectural expression of connection between the U.S. and Mexico, Tu casa es mi casa suggests a more porous boundary between the two countries. The title, a riff on the welcoming “my house is your house,” offers the inverted “your house is my house”—an expression of the personal and political stakes of this transposition.

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Let’s get this bit out of the way: Mexico City is dense, Mexico City is colourful, and Mexico City is a place of contrasts. That is to say, in a haze of pollution you can eat tapas on the roof of a boutique hotel designed by Enrique Norton – or scoff down quesadillas on the street, sheltered by a tarp hung between a fence and a lamp post. The city’s famous outdoor markets sell local crafts and produce alongside imported Chinese sundries. Icons of Mexican modernism are tangled in an urban fabric dating back centuries. For a number of young architects, designers, and curators practicing in its colonias (neighbourhoods), Mexico City is more than clichéd observation; it’s an opportunity to refashion the narrative. Read More …