In Chronic City, Jonathan Lethem’s 467-page, pot-fumed meditation on New York City’s Upper East Side, the author describes a fictional artwork by a fictional artist: Urban Fjord by Laird Noteless, a figure cut out of the same cloth as land artist Michael Heizer. A monumental earthwork, the piece taunts viewers into throwing all types of detritus into its gaping mouth. Curiously, New York’s Guggenheim Museum holds a similar sway. Frank Lloyd Wright’s iconic design – the tantalising volume bounded by spiralling ramps – begs to be filled, but with what? Trees? Trampolines? Chocolate? Read More …